The Power of Touch
Born in Melbourne, Philip has studied extensively in Theology and Fine Art. He holds several Post Graduate degrees culminating in his PhD exhibition in Sculpture and Drawing at Monash University, 2015. During 30 years of art-making he has been presented in a range of solo and group exhibitions, nationally and internationally. Philip continues lecturing in Drawing and Sculpture at tertiary Art Schools in Melbourne. His studio is based in Woodend, Victoria, where he lives with his wife and children.
Continue reading “Philip Cooper Sculptor”
The Cathedral of St Stephen in Brisbane holds the best collection of the work of Australian sculptor, John Elliott (1943-2016). Nowhere else are there three major works together. The cathedral has the shrine of Virgin Mary, the altar crucifix and the diocesan shrine of patron St Mary MacKillop. John Elliott was born in Canterbury, England, studied at the Royal College of Art in London, and migrated to Australia in 1970. He taught sculpture at the Queensland College of Art. Continue reading “Commissioning A Liturgical Artist”
Pauline Clayton worked as a sculptor in Melbourne and her works are featured in various institutions, including St Francis’ Church, Lonsdale Street, and schools, including Catholic Ladies College, Eltham. In addition to juggling the responsibilities of marriage, helping to raise three children and teaching, Pauline undertook art classes at the Royal Melbourne Institute of Technology (RMIT) and taught art and sculpture in secondary schools, including Geoghegan College, Broadmeadows and Genazzano fcj College, Kew, VIC. Continue reading “Pauline Clayton Sculptor (10 July 1944 — 3 October 2012)”
Bronze sculptures (c. 2000)
University of Notre Dame, Freemantle, Western Australia
The 14 Stations of the Cross by Australian sculptor Peter Schipperheyn were commissioned around the year 2000 for the University of Notre Dame, Freemantle, Western Australia. Continue reading “Peter Schipperheyn – Stations of the Cross”
In the aftermath of World War II thousands of displaced persons from Europe sought a new home in Australia. They came bringing a diverse array of talents to the arts thus contributing to a new and unique artistic sensibility in this country. In time, a flourishing of art, literature, drama and music emerged. One of these immigrant artists was the young sculptor Leopoldine Mimovich. Continue reading “Leopoldine Mimovich – Immigrant Artist”
DAPHNE MAYO caused a sensation in 1927 when she sculpted the tympanum of Brisbane’s City Hall. The conservative city fathers were astonished by the sight of this diminutive 32 year old woman wielding a jackhammer in the hot sun high above the streets. The work made her reputation and introduced the most productive decade of her life as a sculptor. Besides the women’s war memorial in Anzac Square and other commissions, she undertook a number of religious works which are an important part of the patrimony of the Australian Church.
Continue reading “1930’s RELIGIOUS SCULPTURE OF DAPHNE MAYO”