DAPHNE MAYO caused a sensation in 1927 when she sculpted the tympanum of Brisbane’s City Hall. The conservative city fathers were astonished by the sight of this diminutive 32 year old woman wielding a jackhammer in the hot sun high above the streets. The work made her reputation and introduced the most productive decade of her life as a sculptor. Besides the women’s war memorial in Anzac Square and other commissions, she undertook a number of religious works which are an important part of the patrimony of the Australian Church.
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